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End Of Life is a third-person action shooter set in a fragmented city that rotates like a Rubik’s Cube. You play as Nashla, a demigoddess seeking to recover her stolen power and take revenge on the humans who killed her sisters. You shoot needles, dodge attacks and use a grappling hook to cross the shifting city, reach enemies and find advantageous positions.

Story

Two goddesses govern the world: Asdis, its creator, and her sister Disad, who balances Asdis’s creations to prevent chaos. When Asdis creates humans, Disad divides her power and gives it form as the Aarendjin, beings tasked with killing humans who pose a real threat to the planet.

A city discovers the Aarendjin’s weakness and wages war to take the magic within them. The city kills them all and steals their power cores, except for Nashla, whom it imprisons. The stolen power keeps the city rotating, preventing her escape. Years later, a revolt within the city gives Nashla the opportunity to carry out her plan: recover her core and avenge her sisters.

As Nashla, you face decisions that shape whether you remain true to your original mission or give in to revenge. Along the way, you find traces of your fallen sisters and recover parts of their powers, gaining abilities to move through the world and tools to fight your enemies.

Navigate the shifting city

The world is divided into fragments, each with its own gravity on every face. You can view the city from different perspectives to spot otherwise hidden paths. The world is constantly moving, and the civilization that lives there has built mechanisms to change its movement; Nashla can use them against her enemies. Different gravities and changes to the world can open routes or help you escape when you cannot fight your way through.

Nashla’s grappling hook lets you reach otherwise inaccessible places and close quickly on enemies before they can react. Enemies can attack from the sky, so no area is safe. The player, enemies and world are all in motion, requiring you to adapt as battles and routes change.

Fight with Nashla’s powers

You use needles to attack. Each type gives her projectiles a different effect, and every needle she carries once belonged to one of her fallen sisters. Nashla can also slow the world around her with Bullet Time, giving her time to make decisions and an advantage in combat.

As she accumulates anger, Nashla enters Fury. She fires projectiles more frequently and forcefully, and the needles drain life from enemies to heal her. Enemies know her weakness and use complex magical barriers to trap her in battles, attempting to wear her down and defeat her.

Shape your journey

The central cycle is to advance through a level, kill the enemies in your way and discover how to use Nashla’s powers to interact with the world. You can emphasize progress while avoiding unnecessary fights, explore the world, or focus on killing everything in your path. Your play style determines which of these aspects you reinforce, and is reflected in Nashla’s adventure.

The world’s appearance

The game combines realistic environments and textures with stylized characters. Its environments draw on Middle Eastern styles, with warm, earthy and luminous colors in places where life once thrived. Nashla’s cooler color palette sets her apart from this world.

The city resembles a mirror made of Rubik’s Cube-like fragments, with marked edges and cubes of different sizes. It floats in disorder, constantly rotating and repositioning as Nashla advances. Magic is central to the world and its mechanics, represented by brighter, more vivid colors.